Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.
2,174 prints

Sooty Crow-Shrike
$185

Hill Crow-Shrike
$185

Grey Crow-Shrike
$185

Piping Crow-Shrike
$185

White-backed Crow-Shrike
$185

Tasmanian Crow-Shrike
$185

Black Throated Crow-Shrike
$185

Pied Crow-Shrike
$185

Silvery-backed Butcher-Bird
$185

Butcher-Bird
$185

Quoy’s Crow-Shrike
$185

Pied Grallina
$185

Back-faced Graucalus
$185

Varied Graucalus
$185

White-bellied Graucalus
$185

Swainson’s Graucalus
$185

Ground Graucalus
$185

Jardin’s Campephaga
$185

Northern Campephaga
$185

Black and White Campephaga
$185

White-shouldered Campephaga
$185

Guttural Pachycephala
$185

Grey-tailed Pachycephala
$185

Black-tailed Pachycephala
$185

Banded Thickhead
$185

Lunated Pachycephala
$185

Shrike-like Pachycephala
$185

Red-throated Pachycephala
$185

Gilbert’s Pachycephala
$185

Plain-coloured Pachycephala
$185

Olivaceous Pachycephala
$185

Harmonious Colluricincla
$185

Buff-bellied Colluricincla
$185

Brown Colluricincla
$185

Selby’s Colluricincla
$185

Little Colluricincla
$185

Frontal Shrike-Tit
$185

White-bellied Shrike-Tit
$185

Crested Oreoica
$185

Spangled Drongo
$185

White-shafted Fantail
$185

Rufous-fronted Fantail
$185

Northern Fantail
$185

Black Fantailed Flycather
$185

Restless Flycather
$185

Blue Shining Flycather
$185

Plumbeous Flycather
$185

Pretty Flycather
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
