Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.

Xantus Hummingbird
$185

Azara’s Araçari
$185

Indian Hoopoe
$185

Snowy Owl
$185

Azure Kingfisher
$185

Pirik Bee-eater
$185

Puce-throated Hummingbird
$185

Golden Eagle
$185

Peacock Groove Bill Aracari
$185

Assam Peacock Pheasant
$185

Eagle Owl
$185

Great Brown Kingfisher
$185

Mute Swan
$185

Hombron’s Kingfisher
$185

Haematornis Undulatus
$185

Falco Chicquera
$185

Otus Bengalensis
$185

Noctua Cuculoïdes
$185

Alcedo Guttatus
$185

Muscicapa Melanops
$185

Phaenecornis Princeps
$185

Phaenicornis Brevirostris
$185

Phaenicornis Peregrina
$185

Hypsipetes Psariodes
$185

Lanius Erythropterus
$185

Collurio Hardwickii Erythronotus
$185

Turdus Erythrogaster
$185

Turdus Poecilopterus
$185

Cinclosoma Ocellatum
$185

Cinclosoma Variegatum
$185

Cinclosoma Erythrocephalum
$185

Cinclosoma Leucolophum
$185

Petrocincla Cinclorhyncha
$185

Myophonus Horsfieldhii
$185

Myophonus Temminckii
$185

Zoothera Monticola
$185

Pitta Brachyura
$185

Cinclus Pallasii
$185

Phoenicura Rubeculoides – Phoenicura Coeruleocephala
$185

Phoenicura Frontalis – Phoenicura Leucocephala
$185

Enicurus Maculatus
$185

Enicurus Scouleri
$185

Parus Xanthogenys – Parus Monticolus
$185

Parus Erythrocephalus – Parus Melanolophus
$185

Fringilla Rodopepla – Fringilla Rodochroa
$185

Pyrrhula Erythrocephala
$185

Carduelis Caniceps – Carduelis Spinoides
$185

Lamprotornis Spilopterus
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
