Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.
2,174 prints

Chestnut-Eared Aracari
$185

Royal Aracari
$185

Many-Banded Aracari
$185

Double-collared Aracari
$185

Banded Aracari
$185

Green Aracari
$185

Humboldt’s Aracari
$185

Lettered Aracari
$185

Spotted Bill Aracari
$185

Natterers Aracari
$185

Reinwardts Aracari
$185

Koulik Aracari
$185

Langdorfs Aracari
$185

Curl-Crested Aracari
$185

Grey-Breasted Aracari
$185

Saffron-Coloured Araçari, 1st Edition Plate 28a
$185

Golden Green Aracari
$185

Grooved-Bill Aracari
$185

Derby’s Groove-Bill Aracari
$185

Rumped Groove Bill Aracari
$185

Wedge-tailed Eagle
$185

Little Australian Eagle
$185

White-Bellied Sea Eagle
$185

White-breasted Sea Eagle
$185

Whistling Eagle
$185

White-headed Osprey
$185

Grey Falcon
$185

Black-cheeked Falcon
$185

Black Falcon
$185

White-fronted Falcon
$185

Brown Hawk
$185

Western Brown Hawk
$185

Nankeen Kestril
$185

New Holland Goshawk
$185

White Goshawk
$185

Radiated Goshawk
$185

Australian Goshawk
$185

West Australian Goshawk
$185

Collard Sparrow Hawk
$185

Black-breasted Buzzard
$185

Allied Kite
$185

Square-tailed Kite
$185

Black-shouldered Kite
$185

Letter-winged Kite
$185

Crested Hawk
$185

Allied Harrier
$185

Jardine’s Harrier
$185

Chestnut-faced Owl
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
