Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.
2,174 prints

Masked Barn Owl
$185

Sooty Owl
$185

Delicate Owl
$185

Boobook Owl
$185

Spotted Owl
$185

Winking Owl
$185

Powerful Owl
$185

Rufous Owl
$185

Owlet Nightjar
$185

White-bellied Owlet Nightjar
$185

Tawny-shoulderd Podargus
$185

Curvier’s Podargus
$185

Moth-plumaged Podargus
$185

Plumed Podargus
$185

White-throated Goat-sucker
$185

Spotted Goat-sucker
$185

Large-tailed Goat-sucker
$185

Australian Spine-tailed Swallow
$185

Australian Swift
$185

White-breasted Swallow
$185

Welcome Swallow
$185

Tree Martin
$185

Fairy Martin
$185

Australian Bee-eater
$185

Australian Roller
$185

Leach’s Kingfisher
$185

Fawn-breasted Kingfisher
$185

Sacred Halcyon
$185

Red-Backed Halcyon
$185

Sordid Halcyon
$185

MacLeay’s Halcyon
$185

Little Kingfisher
$185

Wood Swallow
$185

Little Wood Swallow
$185

Grey-breasted Wood Swallow
$185

White-vented Wood Swallow
$185

Masked Wood Swallow
$185

White-eyebrowed Wood Swallow
$185

White-rumped Wood Swallow
$185

Swallow Dicaeum
$185

Spotted Pardalote
$185

Red-lored Pardalote
$185

Forty-spotted Pardalote
$185

Striated Pardalote
$185

Allied Pardalote
$185

Black-headed Pardalote
$185

Yellow-rumped Pardalote
$185

Great Crow-Shrike
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
