Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.
2,174 prints

Amethystine Cuckoo
$185

Marsh Hawk
$725

Branded Pigeon
$185

American Magpie
$475

Whistling Sand-Grouse
$185

Pine Grosbeak
$350

Banded Sand-Grouse
$185

Arkansaw Flycatcher
$350

Ceylon Spur-Fowl
$185

Winter Wren
$350

Bearded Partridge
$185

Long-tailed, or Dusky Grouse
$725

Black-bellied Tern
$185

Yellow billed Magpie
$475

Black-winged Pratincole
$185

Bohemian Chatterer
$350

Chinese Jacana
$185

White-winged Crossbill
$350

Chinese Pucras Pheasant
$185

Lapland Long-spur
$350

Chinese Quail
$185

Iceland, or Jer Falcon
$725

Chinese Ring-necked Pheasant
$185

Band-tailed Pigeon
$475

Cinereous Pratincole
$185

Rock Grous
$350

Coromandel Quail
$185

Mountain Mocking Bird
$350

Darwin’s Pucras Pheasant
$185

American Water Ouzel
$350

De l’Huys’ Monal
$185

Cock of the Plains
$725

Dr. Cabot’s Horned Pheasant
$185

Common Buzzard
$475

Elliot’s Pheasant
$185

Evening Grosbeak
$350

Fasciated Hemipode
$185

Sharp-skinned Hawk
$350

Geoffroy’s Francolin
$185

Lesser Red-Poll
$350

Golden Pheasant
$185

Trumpeter Swan (young)
$725

Hey’s Sand Partridge
$185

Scolpaceus Courlan
$350

Himalayan Pucras Pheasant
$185

Hawk Owl
$350

Himalayan Snow-Partridge
$185

Ruff-necked Hummingbird
$350
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
