Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.
2,174 prints

White-winged Magpie
$185

White-winged silvery Gull
$475

Affgahn Magpie
$185

Wandering Shearwater
$350

Bootan Magpie
$185

Purple Sandpiper
$350

Collared Wood-Pigeon
$185

Fork-tailed Gull
$350

Coronetted Sand-Grouse
$185

White-fronted Goose
$725

Crimson-breasted Partridge
$185

Ivory Gull
$475

Curl-crested Cuckoo
$185

Yellow Shank
$350

Darjiling Pygmy Woodpecker
$185

Solitary Sandpiper
$350

Doerries’s Pygmy Woodpecker
$185

Red backed Sandpiper
$350

Elphinstone’s Wood-Pigeon
$185

Herring Gull
$725

Embroidered Barbet
$185

Crested Grebe
$475

Emerald Cuckoo
$185

Large Billed Puffin
$475

Formosan Bamboo-Partridge
$185

Pectoral Sandpiper
$350

Formosan Green Woodpecker
$185

Manks Shearwater
$350

Formosan Spotted Woodpecker
$185

Barnacle Goose
$725

Franklin’s Barbet
$185

Harlequin Duck
$475

Georgian Black Grouse
$185

Red-necked Grebe
$350

Great Racket-tailed Parrot
$185

Dusky Petrel
$350

Grey-headed Parrakeet
$185

Golden Plover
$350

Grey-headed Pygmy Woodpecker
$185

Canvas backed Duck
$725

Hardwicke’s Pygmy Woodpecker
$185

Dusky Duck
$475

Hartlaub’s Spotted Woodpecker
$185

Bartram Sandpiper
$350

Heart-spotted Woodpecker
$185

Turn-Stone
$350

Indian Rock-Pigeon
$185

Purple Gallinule
$350
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
