Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.

Lady Amherst’s Pheasant
$185

Lesser Florikin
$185

Lineated Pheasant
$185

Little Hemipode
$185

Little Red-billed Partridge
$185

MacQeen’s Bustard
$185

Malayan Peacock Pheasant
$185

Mandarin Duck
$185

Minute Quail
$185

Monal
$185

Mongolian Pheasant
$185

Mou-pin Snow-Partridge
$185

Nepaul Pucras Pheasant
$185

Nipaulese Horned Pheasant
$185

Oxus Pheasant
$185

Pencilled Pheasant
$185

Phasianus colchicus
$185

Red-billed Erolia
$185

Reeve’s Pheasant
$185

Rosy Tantalus
$185

Rufescent Curlew
$185

Sanguine Francolin
$185

Sclater’s Monal
$185

Shaw’s Pheasant
$185

Siamese Fireback
$185

Slate-coloured Partridge
$185

Sommering’s Pheasant
$185

Sonnerat’s Jungle-fowl
$185

Sparkling Pheasant
$185

Spoon-billed Sandpiper
$185

Swinhoe’s Fireback
$185

Temminck’s Horned Pheasant
$185

Tibetan Snow-Partridge
$185

Vieillot’s Fireback
$185

Western Horned Pheasant
$185

White-breasted Water-horn
$185

Zic-Zac
$185

Bonham’s Sand Partridge
$185

Asiatic Bush-Quail
$185

Argoondah Bush-Quail
$185

Chestnut-tailed Lobed Pheasant
$185

Bulwer’s Pheasant
$185

Cheer
$185

Chinese Crossoptilon
$185

Caspian Snow-Partridge
$185

Altaic Snow-Partridge
$185

Blyth’s Horned Pheasant
$185

Argus Pheasant
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
