Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.

Black-breasted Sun-bird
$185

Fiery-tailed Sun-bird
$185

Goulpourah Sun-bird
$185

Vigors’ Sun-bird
$185

Nepaulese Sun-bird
$185

Asiatic Sun-bird
$185

Loten’s Sun-bird
$185

Plain Zosterops
$185

Chestnut-sided Zosterops
$185

Red-collared Dicaeum
$185

Yellow-throated Dicaeum
$185

Red-backed Dicaeum
$185

Pryer’s Dicaeum
$185

Fire-breasted Myzanthe
$185

Legge’s Flower-pecker
$185

Naga Nuthatch
$185

Beautiful Nuthatch
$185

Cinnamon-bellied Nuthatch
$185

Chestnut-bellied Nuthatch
$185

White-faced Nuthatch
$185

Himalayan Nuthatch
$185

White-naped Tit
$185

Chestnut-bellied Tit
$185

Elegant Tit
$185

Sultan Tit
$185

Yellow-cheeked Tit
$185

Spotted Tit
$185

Jerdon’s Tit
$185

Ash-coloured Tit
$185

Chinese Tit
$185

Mountain Tit
$185

Grey Tit
$185

Rufous-bellied Tit
$185

Rufous-naped Tit
$185

Black-crested Tit
$185

Yarkand Tit
$185

Exile Tit
$185

Red-headed Tit
$185

Elegant Tit
$185

Afghan Tit
$185

White-throated Tit
$185

Chestnut-breasted Tit
$185

Silvery-throated Tit
$185

Chinese Penduline Tit
$185

Flame-fronted Flower-pecker
$185

Philippine Oriole
$185

Broderip’s Oriole
$185

Maroon Oriole
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
