Bird prints
Bird plates by eight naturalists, from Audubon’s life-size The Birds of America to Gould’s hummingbirds, Elliot’s pheasants and Levaillant’s parrots, first published between the 1740s and the 1880s. Each print is a facsimile giclée made from the originals, at the size of the original sheet, in a numbered edition of 250.

Red-naped Falcon
$185

Saker Falcon
$185

Lanner Falcon
$185

Jugger Falcon
$185

White-winged Red-footed Kestrel
$185

Rufous-breasted Spilornis
$185

Black-and-white Crested Eagle
$185

Govinda Kite
$185

Celebean Elanus
$185

Indian Scops Owl
$185

Bay Owl
$185

Brodie’s Owlet
$185

Speckled Wood-Owl
$185

Indian Screech Owl
$185

Grass Owl
$185

Mahratta Nightjar
$185

Palm Roof-Swift
$185

Crested Tree-Swift
$185

Klecho Tree-Swift
$185

Wallace’s Tree-Swift
$185

Bearded Tree-Swift
$185

Hooded Tree-Swift
$185

Wire-tailed Swallow
$185

Western Mosque-Swallow
$185

Daurian Mosque-Swallow
$185

Indian Mosque-Swallow
$185

Ceylonese Mosque-Swallow
$185

Nepal Martin-Swallow
$185

Bungalow Swallow
$185

Indian Cliff-Swallow
$185

Hurrial Bee-eater
$185

Philippine Bee-eater
$185

Blue-throated Nyctiornis
$185

Red-throated Nyctiornis
$185

Forsten’s Bee-eater
$185

Lindsay’s Kingfisher
$185

Sumatra Kingfisher
$185

Indian Kingfisher
$185

Manilla Kingfisher
$185

Black-capped Kingfisher
$185

Black-and-white Kingfisher
$185

Many-coloured Kingfisher
$185

Banded Kingfisher
$185

Black-faced Kingfisher
$185

Tenasserim Kingfisher
$185

Mantled Kingfisher
$185

Great Alcedo
$185

Indian Kingfisher
$185
About bird prints
Our bird plates cover more than a century of printmaking, and the technique changes with the period. The oldest are copper engravings: Johann Michael Seligmann’s German versions of the birds of Mark Catesby and George Edwards, published in Nuremberg from 1749 (one of them shows a dodo beside a guinea pig), and Cornelius Nozeman’s Nederlandsche Vogelen, begun in 1770. Between 1801 and 1806 Jacques Barraband’s paintings of parrots and toucans for François Levaillant were engraved in stipple.
The largest sheets are Audubon’s: Robert Havell engraved and aquatinted The Birds of America in London between 1827 and 1838, opening with the Wild Turkey. Most of the other books are lithographs, among them those of John Gould, who worked with a team of artists, and the monographs of Daniel Giraud Elliot, drawn by Joseph Wolf, Joseph Smit and John Gerrard Keulemans. What is The Birds of America? tells how Audubon’s book was made.
