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Complete Set Elliot Birds of Paradise

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  • Complete Set Elliot Birds of Paradise

Elliot Birds of Paradise

Elliot

Quick Overview

Elliot Birds of Paradise
  • Taken from the original editions
  • Printed in the original size
  • Age resisting white etching paper
  • Archival ink resisting fading for 100 years
  • Highest possible resolution

Interested in complete collection or have a question? Click here  
Shipping info
Shipping costs unframed prints:

per order Rest of the World: USD $38

per order EU: USD $25

per order NL: USD $16

€5,489.79

Details

A Certified facsimile or actual-size print. We offer a true quality nobody has; and for a price nobody is offering you for a comparable quality. This print was photographed using the latest technology, with a color-checker colour matched to the original illustration and then reproduced at the original plate size. A Museum Quality Limited Edition print, actual-size, signed, numbered and blind stamped. Indistinguishable form the original when glazed and framed.

Title of the set: "Birds of Paradise"

Author: Daniel Giraud Elliot (March 7, 1835 - December 22, 1915)

Artist: Joseph Wolf

Specifications:

  • Published:1870-1872
  • Paper Size: Imperial folio size ( 60.0 x 47.0 cm; 23.6 x 18.5 inches)
  • Content: 1 title page
    1 content page with all titles of the prints
    36 plates after J. Wolf
  • Casing: The complete set will be cased in an elegant handcrafted Solander Box covered in a special dark maroon linen.

Limited edition : The edition will be limited to 20 complete sets.

Delivery time: As the Solander box (casing) will be made on demand by our best professional bookbinder, we must ask for a delivery time of 3-4 weeks after receiving your payment.

Source of the original : This Heritage Facsimile Edition print is made from an extremely well-preserved early museum original subscription which has been cared for in the hands of this one owner only – Teylers Museum (the oldest museum of the Netherlands).

Museum Quality: The proofs of our prints are carefully compared and corrected with the originals and the final prints always have the original size. As a result, the naked eye is unable to distinguish the originals from the facsimile prints when framed and glazed.

Durability: To ensure the durability, our facsimiles are printed on acid-free white-edged paper with archive inks. Each facsimile has it all: every incredibly fine line detail of every lithographic plate or engraving; every delicate brushstroke of every original.

Original: Birds of Paradise, painted by Joseph Wolf, who was 'without exception, the best all-round animal artist who ever lived' (Sir Edwin Landseer).
Ornithological illustration reached its height during the golden age of lithography. Joseph Wolf is pre-eminent amongst the ornithological artists of the day: he was the first bird artist to fully understand and use the new freedom of style that lithography allowed. The lithographic crayon suited Wolf's drawing style, transforming his soft expressive lines and subtle suggestions of movement into a printable image. His work set a new standard in life-like representations and Wolf's skill at capturing the essential character of his subjects also breathed life into the stiff "bird on a perch" portrayals so characteristic of bird art of the day. The plates in Elliot's Monograph of the Birds of Paradise, 'almost as magnificent as the birds they portray, were the fruits of Elliot's considerable wealth, Wolf's great artistry and both men's profound knowledge and love of birds' (Dance). Elliot writes in the preface `The drawings of Mr. Wolf will, I am sure, receive the admiration of those who see them; for, like all that artist's productions, they cannot be surpassed, if equalled, at the present time. Mr. J. Smit has lithographed the drawings with his usual conscientious fidelity, and in his share of the work has left me nothing to desire... In the coloring of the plates Mr. J.D. White has faithfully followed the originals; and in the difficult portions where it was necessary to produce the metallic hues, he has been very successful'.
Elliot’s imperial folio edition was hand-made for a small select group of subscribers. Recent documentary evidence suggests that the lithograph stones to this work were destroyed after only 150 copies were taken (see Sotheby’s London, 5 June 2001). Despite this work’s American origin, it is rare in the United States. Of the 119 copies in the subscriber's list, only 13 were intended for Americans.

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